Bound for Glory
Oil on Gallery Wrap Canvas    |    11" x 14"

No. 122 is a larger portrait of Woody Guthrie. I tried to take the things I learned with 121 and bring that same spirit into the larger version. It’s a totally different painting but I really wanted this one to look and feel like him.

In regards to the subject– there is no way to touch what Dylan wrote, nearly 50 years ago, so here you go…
I’m out here a thousand miles from my home
Walkin’ a road other men have gone down
I’m seein’ your world of people and things
Your paupers and peasants and princes and kings
 
Hey, hey, Woody Guthrie, I wrote you a song
’Bout a funny ol’ world that’s a-comin’ along
Seems sick an’ it’s hungry, it’s tired an’ it’s torn
It looks like it’s a-dyin’ an’ it’s hardly been born
 
Hey, Woody Guthrie, but I know that you know
All the things that I’m a-sayin’ an’ a-many times more
I’m a-singin’ you the song, but I can’t sing enough
’Cause there’s not many men that done the things that you’ve done
 
Here’s to Cisco an’ Sonny an’ Leadbelly too
An’ to all the good people that traveled with you
Here’s to the hearts and the hands of the men
That come with the dust and are gone with the wind


Woody Guthrie (Study)
Oil on Canvas Board    |    7" x 5"

No. 121 is a quick little portrait of Woody Guthrie. It’s not great but I was trying some new things and pushing out a little bit.

First off, I started painting it right onto the canvas – no sketching, measuring or anything. Just went right into it, trying paint the basic shapes and then mold it into place. Secondly, I did this one abiding by the “rules” for that Value Study on the Daily Paintworks site. The guidelines for that were to only use Burnt Sienna and also to not use white. So in order to get the lightest lights you either had be careful where you put the darker paint or remove it with a thinner or medium.
It was very frustrating to work this way but it really kept it feeling alive. So many times I reach for the white and then you end up going down this rabbit trail of course corrections. Here it was sort of a one-shot deal and it forced me to be a lot more deliberate.